" Albee’s The Sandbox (first produced in 1962), which opens the evening: It’s preceded by a burst of ominous recorded music — Brandon Wolcott’s sound score supplies attention-grabbing distraction throughout — that’s irrelevant to the intentionally banal Pop Art beach scene Albee has conceived (which Mimi Lien’s set captures nicely). It’s also superfluous, since Albee’s script requests, and gets, live accompaniment by a solo cellist (whose music, by William Flanagan, is very apt, and extremely well played by Melody Giron)." -  Michael Feigold

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